Through reenacting this sculpture by Justin Novak, I inserted some ideas expressed through Francesca Woodman's photographs. I used myself as a model and tried to set myself in a similar position to that of the figure of the sculpture. The chair used in the image has similar curves to those in the surface that the figure is sitting on, which is also reminiscent of the chair used in one of the Woodman photographs I am referencing as well. The other photograph contains a fireplace that seems to be a place to hide or be trapped behind. In my creation I am using the fireplace and my backdrop, and even though I am not yet sure if it holds the same meaning, it is a similarity aesthetically through both.
My "reenactment" revolves around the idea of emotions. The figure is in a darkly adorned setting yet there is an ample amount of light streaming through the windows. It seems as if there was once a darker setting and is now lighter. There was once destruction, but now the figure is sewing up and fixing the sores of the past and moving forward. My other work has dealt with being taken over and consumed by emotions as to stunt ones function and threaten their being. However, through this project it is almost as if this is the resolution to my previous work in ceramics.
I am using the sculpture by Justin Novak included in his Disfigurines series as the basis of my Reenactment project. I like the adaptation of the ideal of the porcelain figurine and making it humane, but past that to the inhumane back to a sort of rag doll type of figure.
Since it is a sculpture, I wanted to base the background and lighting off of a photographer, Francesca Woodman who seems to discuss some similar ideals to the sculpture above. She uses all natural light in old, ruined, but plain, domestic settings, which I intend on imitating in certain respects.














